Insights: Assembling a Kontakt Sample Library Orchestra
If you want to write for Kontakt-based orchestral sample libraries in a manner similar to writing for live orchestral ensembles, you can now assemble a virtual orchestra that may empower you to do just that.
Read More →Insights: Cinematic Strings 2.0
Cinematic Strings 2.0 is impeccably beautiful. And because CS 2.0 is so elegantly and simply designed, you’re productive in a snap because it’s a breeze to learn. At virtually every level, Cinematic Strings 2.0 is quality management and design at its finest.
Read More →SPAT: Your New Best Buddy For Mixing
One of the most difficult problems in mixing orchestral mock-ups, knowing how to spatially place instruments quickly and easily, has now been simplified with Ircam SPAT, a 32Bit downloadable audio plug-in that works with any library.
Read More →Insights: Albion
Albion is the newest orchestral brainchild from Spitfire Audio, headquartered in Great Britain. It follows the path of Symphobia 1, Hollywoodwinds, and Symphobia 2 by being a problem/solution orchestral module that does not compete directly with full fledged orchestral libraries from EastWest, SONiVOX, or the Vienna Symphonic Library.
Read More →Hollywood Strings Gold Part 1: A Professional Orchestration Pre-Review
In this first review, we look at the risk/reward behind Hollywood Strings and The Language of The Bow.
Read More →Andrew Keresztes on LASS Specs and The Future
Less than a year ago, Andrew Keresztes was a composer known within a small circle in Hollywood and as a pretty cool guy to know on the forums. Then he released L.A. Scoring Strings (LASS), and the composer turned entrepreneur found himself with a hot product and the beginnings of a new sample development company. [...]
Read More →Miroslav Vitous String Ensembles
Miroslav Vitous’ new String Ensembles aren’t quite a composer’s dream, but they could be.
Read More →Hollywood Strings – A First Consideration
HS’s studio sound provides composers another choice as to which string ensemble recorded in which space do we want for the piece we’re working on.
Read More →
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